Films from the last 10 years have not been included on this list, and will be eligible in future updates when the moratorium has passed.
| 1. 2001: A Space Odyssey | Stanley Kubrick | 1968 |
| 2. The Passion of Joan of Arc | Carl Theodor Dreyer | 1928 |
| 3. Apocalypse Now | Francis Ford Coppola | 1979 |
| 4. Citizen Kane | Orson Welles | 1941 |
| 5. Stalker | Andrei Tarkovsky | 1979 |
| 6. Tokyo Story | Yasujirō Ozu | 1953 |
| 7. In the Mood for Love | Wong Kar-wai | 2000 |
| 8. 8 1/2 | Federico Fellini | 1963 |
| 9. The Tree of Life | Terrence Malick | 2011 |
| 10. The Searchers | John Ford | 1956 |
| 11. Vertigo | Alfred Hitchcock | 1958 |
| 12. Persona | Ingmar Bergman | 1966 |
| 13. The Godfather | Francis Ford Coppola | 1972 |
| 14. Blade Runner | Ridley Scott | 1982 |
| 15. Barry Lyndon | Stanley Kubrick | 1975 |
| 16. Raging Bull | Martin Scorsese | 1980 |
| 17. Battleship Potemkin | Sergei Eisenstein | 1925 |
| 18. Lawrence of Arabia | David Lean | 1962 |
| 19. Sunrise: A Song of Two Humans | F.W. Murnau | 1927 |
| 20. The Godfather Part II | Francis Ford Coppola | 1974 |
| 21. La Dolce Vita | Federico Fellini | 1960 |
| 22. Nostalghia | Andrei Tarkovsky | 1983 |
| 23. Seven Samurai | Akira Kurosawa | 1954 |
| 24. Taxi Driver | Martin Scorsese | 1976 |
| 25. Last Year at Marienbad | Alain Resnais | 1961 |
| 26. The Cook, The Thief, His Wife & Her Lover | Peter Greenaway | 1989 |
| 27. Rashomon | Akira Kurosawa | 1950 |
| 28. Bicycle Thieves | Vittorio de Sica | 1948 |
| 29. High and Low | Akira Kurosawa | 1963 |
| 30. I Am Cuba | Mikhail Kalatozov | 1964 |
| 31. Intolerance: Love’s Struggle Throughout the Ages | D.W. Griffith | 1916 |
| 32. The Conformist | Bernardo Bertolucci | 1970 |
| 33. The Rules of the Game | Jean Renoir | 1939 |
| 34. The Third Man | Carol Reed | 1949 |
| 35. The Seventh Seal | Ingmar Bergman | 1957 |
| 36. Pulp Fiction | Quentin Tarantino | 1994 |
| 37. Breathless | Jean-Luc Godard | 1960 |
| 38. Once Upon a Time in the West | Sergio Leone | 1968 |
| 39. There Will Be Blood | Paul Thomas Anderson | 2007 |
| 40. Goodfellas | Martin Scorsese | 1990 |
| 41. Children of Men | Alfonso Cuarón | 2006 |
| 42. Days of Heaven | Terrence Malick | 1978 |
| 43. Napoleon | Abel Gance | 1927 |
| 44. Jules and Jim | François Truffaut | 1962 |
| 45. Touch of Evil | Orson Welles | 1958 |
| 46. The Turin Horse | Béla Tarr | 2011 |
| 47. Chungking Express | Wong Kar-wai | 1994 |
| 48. The End of Summer | Yasujirō Ozu | 1961 |
| 49. The Good, The Bad, and the Ugly | Sergio Leone | 1966 |
| 50. Fanny and Alexander | Ingmar Bergman | 1982 |
| 51. Metropolis | Fritz Lang | 1927 |
| 52. Andrei Rublev | Andrei Tarkovsky | 1966 |
| 53. Ikiru | Akira Kurosawa | 1952 |
| 54. Playtime | Jacques Tati | 1967 |
| 55. Cries and Whispers | Ingmar Bergman | 1972 |
| 56. A Short Film About Killing | Krzysztof Kieslowski | 1988 |
| 57. Pierrot Le Fou | Jean-Luc Godard | 1965 |
| 58. Grand Illusion | Jean Renoir | 1937 |
| 59. Three Colours: Blue | Krzysztof Kieslowski | 1993 |
| 60. A Clockwork Orange | Stanley Kubrick | 1971 |
| 61. Psycho | Alfred Hitchcock | 1960 |
| 62. Dekalog | Krzysztof Kieslowski | 1989 |
| 63. Breaking the Waves | Lars von Trier | 1996 |
| 64. The Cabinet of Dr. Caligari | Robert Wiene | 1920 |
| 65. Red Desert | Michelangelo Antonioni | 1964 |
| 66. Sátántangó | Béla Tarr | 1994 |
| 67. Songs from the Second Floor | Roy Andersson | 2000 |
| 68. Hero | Zhang Yimou | 2002 |
| 69. The Last Laugh | F.W. Murnau | 1924 |
| 70. The Double Life of Veronique | Krzsyztof Kieslowski | 1991 |
| 71. Rear Window | Alfred Hitchcock | 1954 |
| 72. The Shining | Stanley Kubrick | 1980 |
| 73. The Leopard | Luchino Visconti | 1963 |
| 74. The Thin Red Line | Terrence Malick | 1998 |
| 75. Werckmeister Harmonies | Béla Tarr | 2000 |
| 76. The Magnificent Ambersons | Orson Welles | 1942 |
| 77. L’Avventura | Michelangelo Antonioni | 1960 |
| 78. The Trial | Orson Welles | 1962 |
| 79. The Human Condition | Masaki Kobayashi | 1959-61 |
| 80. Do the Right Thing | Spike Lee | 1989 |
| 81. The Master | Paul Thomas Anderson | 2012 |
| 82. The Revenant | Alejandro Iñárritu | 2015 |
| 83. Gone With the Wind | Victor Fleming | 1939 |
| 84. Brazil | Terry Gilliam | 1985 |
| 85. Die Nibelungen | Fritz Lang | 1924 |
| 86. The Sacrifice | Andrei Tarkovsky | 1986 |
| 87. The Bad Sleep Well | Akira Kurosawa | 1960 |
| 88. Juliet of the Spirits | Federico Fellini | 1965 |
| 89. Mirror | Andrei Tarkovsky | 1975 |
| 90. A Brighter Summer Day | Edward Yang | 1991 |
| 91. Three Colours: Red | Krzysztof Kieslowski | 1994 |
| 92. The 400 Blows | François Truffaut | 1959 |
| 93. Lola Montès | Max Ophüls | 1955 |
| 94. Black Narcissus | Michael Powell | 1947 |
| 95. Raise the Red Lantern | Zhang Yimou | 1991 |
| 96. Rocco and His Brothers | Luchino Visconti | 1960 |
| 97. Early Summer | Yasujirō Ozu | 1951 |
| 98. Paths of Glory | Stanley Kubrick | 1957 |
| 99. Umberto D. | Vittorio de Sica | 1952 |
| 100. Ran | Akira Kurosawa | 1985 |
| 101. Mulholland Drive | David Lynch | 2001 |
| 102. The Wild Bunch | Sam Peckinpah | 1969 |
| 103. Once Upon a Time in America | Sergio Leone | 1984 |
| 104. The New World | Terrence Malick | 2005 |
| 105. M | Fritz Lang | 1931 |
| 106. JFK | Oliver Stone | 1991 |
| 107. Casablanca | Michael Curtiz | 1942 |
| 108. The Wizard of Oz | Victor Fleming | 1939 |
| 109. Magnolia | Paul Thomas Anderson | 1999 |
| 110. Birdman | Alejandro Iñárritu | 2014 |
| 111. Stagecoach | John Ford | 1939 |
| 112. The White Ribbon | Michael Haneke | 2009 |
| 113. The Blue Angel | Josef von Sternberg | 1930 |
| 114. The Earrings of Madame de… | Max Ophüls | 1953 |
| 115. Blue Velvet | David Lynch | 1986 |
| 116. Punch-Drunk Love | Paul Thomas Anderson | 2002 |
| 117. Gertrud | Carl Theodor Dreyer | 1964 |
| 118. The Assassination of Jesse James by the Coward Robert Ford | Andrew Dominik | 2007 |
| 119. Salò, or the 120 Days of Sodom | Pier Paolo Pasolini | 1975 |
| 120. Strike | Sergei Eisenstein | 1925 |
| 121. Naked | Mike Leigh | 1993 |
| 122. The Umbrellas of Cherbourg | Jacques Demy | 1964 |
| 123. The Cranes Are Flying | Mikhail Kalatozov | 1957 |
| 124. Yi Yi | Edward Yang | 2000 |
| 125. 2046 | Wong Kar-wai | 2004 |
| 126. Suspiria | Dario Argento | 1977 |
| 127. La La Land | Damien Chazelle | 2016 |
| 128. Heaven’s Gate | Michael Cimino | 1980 |
| 129. Melancholia | Lars von Trier | 2011 |
| 130. Boogie Nights | Paul Thomas Anderson | 1997 |
| 131. Manhattan | Woody Allen | 1979 |
| 132. The Red Shoes | Michael Powell | 1948 |
| 133. Dead Man | Jim Jarmusch | 1995 |
| 134. Ida | Paweł Pawlikowski | 2013 |
| 135. Distant Voices, Still Lives | Terence Davies | 1988 |
| 136. Heat | Michael Mann | 1995 |
| 137. Chinatown | Roman Polanski | 1974 |
| 138. Contempt | Jean-Luc Godard | 1963 |
| 139. Nashville | Robert Altman | 1975 |
| 140. Syndromes and a Century | Apichatpong Weerasethakul | 2006 |
| 141. L’Eclisse | Michelangelo Antonioni | 1962 |
| 142. Don’t Look Now | Nicolas Roeg | 1973 |
| 143. Hiroshima Mon Amour | Alain Resnais | 1959 |
| 144. Mad Max: Fury Road | George Miller | 2015 |
| 145. Aguirre, the Wrath of God | Werner Herzog | 1972 |
| 146. The Grand Budapest Hotel | Wes Anderson | 2014 |
| 147. Eyes Wide Shut | Stanley Kubrick | 1999 |
| 148. McCabe & Mrs. Miller | Robert Altman | 1971 |
| 149. The Passenger | Michelangelo Antonioni | 1975 |
| 150. Rome, Open City | Roberto Rossellini | 1945 |
| 151. Sunset Boulevard | Billy Wilder | 1950 |
| 152. Notorious | Alfred Hitchcock | 1946 |
| 153. The Birth of a Nation | D.W. Griffith | 1915 |
| 154. The Deer Hunter | Michael Cimino | 1978 |
| 155. Autumn Sonata | Ingmar Bergman | 1978 |
| 156. The French Connection | William Friedkin | 1971 |
| 157. The General | Buster Keaton, Clyde Bruckman | 1926 |
| 158. Children of Paradise | Marcel Carne | 1945 |
| 159. The Royal Tenenbaums | Wes Anderson | 2001 |
| 160. Flowers of Shanghai | Hou Hsiao-hsien | 1998 |
| 161. Jaws | Steven Spielberg | 1975 |
| 162. Double Indemnity | Billy Wilder | 1944 |
| 163. The Lord of the Rings | Peter Jackson | 2001-03 |
| 164. Sherlock Jr. | Buster Keaton | 1924 |
| 165. Fargo | The Coen Brothers | 1996 |
| 166. The Discreet Charm of the Bourgeoisie | Luis Buñuel | 1972 |
| 167. Shoot the Piano Player | François Truffaut | 1960 |
| 168. A Matter of Life and Death | Michael Powell | 1946 |
| 169. Chimes at Midnight | Orson Welles | 1965 |
| 170. Inside Llewyn Davis | The Coen Brothers | 2013 |
| 171. A Zed and Two Noughts | Peter Greenaway | 1985 |
| 172. Annie Hall | Woody Allen | 1977 |
| 173. Nosferatu | F.W. Murnau | 1922 |
| 174. Amarcord | Federico Fellini | 1973 |
| 175. Kill Bill | Quentin Tarantino | 2003-04 |
| 176. Sympathy for Mr. Vengeance | Park Chan-wook | 2002 |
| 177. Schindler’s List | Steven Spielberg | 1993 |
| 178. Germany Year Zero | Roberto Rossellini | 1948 |
| 179. The Scarlet Empress | Josef von Sternberg | 1934 |
| 180. Winter Light | Ingmar Bergman | 1963 |
| 181. Le Plaisir | Max Ophüls | 1952 |
| 182. Sweet Smell of Success | Alexander Mackendrick | 1957 |
| 183. Repulsion | Roman Polanski | 1965 |
| 184. Harakiri | Masaki Kobayashi | 1962 |
| 185. The Virgin Spring | Ingmar Bergman | 1960 |
| 186. Rosemary’s Baby | Roman Polanski | 1968 |
| 187. Sansho the Bailiff | Kenji Mizoguchi | 1954 |
| 188. Marketa Lazarová | František Vláčil | 1967 |
| 189. The Age of Innocence | Martin Scorsese | 1993 |
| 190. Ali: Fear Eats the Soul | Rainer Werner Fassbinder | 1974 |
| 191. Dancer in the Dark | Lars von Trier | 2000 |
| 192. Requiem for a Dream | Darren Aronofsky | 2000 |
| 193. The Exorcist | William Friedkin | 1973 |
| 194. Point Blank | John Boorman | 1967 |
| 195. All That Heaven Allows | Douglas Sirk | 1955 |
| 196. Moonrise Kingdom | Wes Anderson | 2012 |
| 197. Mean Streets | Martin Scorsese | 1973 |
| 198. The Silence | Ingmar Bergman | 1963 |
| 199. Late Spring | Yasujirō Ozu | 1949 |
| 200. Army of Shadows | Jean-Pierre Melville | 1969 |
| 201. The Conversation | Francis Ford Coppola | 1974 |
| 202. North by Northwest | Alfred Hitchcock | 1959 |
| 203. The Best Years of Our Lives | William Wyler | 1946 |
| 204. The Graduate | Mike Nichols | 1967 |
| 205. Malcolm X | Spike Lee | 1992 |
| 206. Irreversible | Gaspar Noé | 2002 |
| 207. Written on the Wind | Douglas Sirk | 1956 |
| 208. Rumble Fish | Francis Ford Coppola | 1983 |
| 209. The Travelling Players | Theo Angelopoulos | 1975 |
| 210. The Social Network | David Fincher | 2010 |
| 211. Performance | Nicolas Roeg | 1970 |
| 212. Inception | Christopher Nolan | 2010 |
| 213. Viridiana | Luis Buñuel | 1961 |
| 214. Le Samouraï | Jean-Pierre Melville | 1967 |
| 215. Possession | Andrzej Żuławski | 1981 |
| 216. The Parallax View | Alan J. Pakula | 1974 |
| 217. Alien | Ridley Scott | 1979 |
| 218. The Belly of an Architect | Peter Greenaway | 1987 |
| 219. The Tenant | Roman Polanski | 1976 |
| 220. La Terra Trema | Luchino Visconti | 1948 |
| 221. The Devils | Ken Russell | 1971 |
| 222. Black Swan | Darren Aronofsky | 2010 |
| 223. Blow Out | Brian de Palma | 1981 |
| 224. It’s a Wonderful Life | Frank Capra | 1946 |
| 225. Lost in Translation | Sofia Coppola | 2003 |
| 226. Laura | Otto Preminger | 1944 |
| 227. Amadeus | Miloš Forman | 1984 |
| 228. The Man Who Shot Liberty Valance | John Ford | 1962 |
| 229. The Music Room | Satyajit Ray | 1958 |
| 230. Fitzcarraldo | Werner Herzog | 1982 |
| 231. The Big Lebowski | The Coen Brothers | 1998 |
| 232. Raiders of the Lost Ark | Steven Spielberg | 1981 |
| 233. Dead Ringers | David Cronenberg | 1988 |
| 234. The Empire Strikes Back | Irvin Kershner | 1980 |
| 235. The Bridge on the River Kwai | David Lean | 1957 |
| 236. The Dark Knight | Christopher Nolan | 2008 |
| 237. Fight Club | David Fincher | 1999 |
| 238. La Strada | Federico Fellini | 1954 |
| 239. The Ballad of Narayama | Keisuke Kinoshita | 1958 |
| 240. Caché | Michael Haneke | 2005 |
| 241. Zodiac | David Fincher | 2007 |
| 242. Atonement | Joe Wright | 2007 |
| 243. Yojimbo | Akira Kurosawa | 1961 |
| 244. Se7en | David Fincher | 1995 |
| 245. Johnny Guitar | Nicholas Ray | 1954 |
| 246. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Stanley Kubrick | 1964 |
| 247. 1900 | Bernardo Bertolucci | 1976 |
| 248. Pather Panchali | Satyajit Ray | 1955 |
| 249. The Handmaiden | Park Chan-wook | 2016 |
| 250. Singin’ in the Rain | Stanley Donen, Gene Kelly | 1952 |
| 251. Imitation of Life | Douglas Sirk | 1959 |
| 252. Pickpocket | Robert Bresson | 1959 |
| 253. La Notte | Michelangelo Antonioni | 1961 |
| 254. The Treasure of the Sierra Madre | John Huston | 1948 |
| 255. Unforgiven | Clint Eastwood | 1992 |
| 256. The Grapes of Wrath | John Ford | 1940 |
| 257. Modern Times | Charlie Chaplin | 1936 |
| 258. Y Tu Mamá También | Alfonso Cuarón | 2001 |
| 259. Eternal Sunshine of the Spotless Mind | Michel Gondry | 2004 |
| 260. Shame | Steve McQueen | 2011 |
| 261. Charulata | Satyajit Ray | 1964 |
| 262. Knife in the Water | Roman Polanski | 1962 |
| 263. Pan’s Labyrinth | Guillermo del Toro | 2006 |
| 264. Scarface | Howard Hawks | 1932 |
| 265. Destiny | F.W. Murnau | 1926 |
| 266. Love Me Tonight | Rouben Mamoulian | 1932 |
| 267. The Silence of the Lambs | Jonathan Demme | 1991 |
| 268. The Crowd | King Vidor | 1928 |
| 269. Midnight Cowboy | John Schlesinger | 1969 |
| 270. My Darling Clementine | John Ford | 1946 |
| 271. White Heat | Raoul Walsh | 1949 |
| 272. A Woman Under the Influence | John Cassavetes | 1974 |
| 273. The Andromeda Strain | Robert Wise | 1971 |
| 274. The Night of the Hunter | Charles Laughton | 1955 |
| 275. Butch Cassidy and the Sundance Kid | George Roy Hill | 1969 |
| 276. No Country For Old Men | The Coen Brothers | 2007 |
| 277. Mishima: A Life in Four Chapters | Paul Schrader | 1985 |
| 278. Red River | Howard Hawks | 1948 |
| 279. Mon Oncle | Jacques Tati | 1958 |
| 280. 4 Months, 3 Weeks, 2 Days | Cristian Mungiu | 2007 |
| 281. Faust | F.W. Murnau | 1926 |
| 282. Star Wars | George Lucas | 1977 |
| 283. The Big Sleep | Howard Hawks | 1946 |
| 284. Moulin Rouge! | Baz Luhrmann | 2001 |
| 285. Ossessione | Luchino Visconti | 1943 |
| 286. City Lights | Charlie Chaplin | 1931 |
| 287. Bonnie and Clyde | Arthur Penn | 1967 |
| 288. Out of the Past | Jacques Tourneur | 1947 |
| 289. Weekend | Jean-Luc Godard | 1967 |
| 290. Rushmore | Wes Anderson | 1998 |
| 291. Days of Being Wild | Wong Kar-wai | 1990 |
| 292. One Flew Over the Cuckoo’s Nest | Miloš Forman | 1975 |
| 293. Greed | Eric von Stroheim | 1924 |
| 294. Network | Sidney Lumet | 1976 |
| 295. Lost Highway | David Lynch | 1997 |
| 296. Strangers on a Train | Alfred Hitchcock | 1951 |
| 297. Bringing Up Baby | Howard Hawks | 1938 |
| 298. The Life and Death of Colonel Blimp | Michael Powell | 1943 |
| 299. Traffic | Steven Soderbergh | 2000 |
| 300. Letter Never Sent | Mikhail Kalatozov | 1960 |
| 301. Deep Red | Dario Argento | 1975 |
| 302. Wild Strawberries | Ingmar Bergman | 1957 |
| 303. Fellini Satyricon | Federico Fellini | 1969 |
| 304. Pyaasa | Guru Dutt | 1957 |
| 305. Doctor Zhivago | David Lean | 1965 |
| 306. The Servant | Joseph Losey | 1963 |
| 307. Amores Perros | Alejandro Iñárritu | 2000 |
| 308. Hannah and Her Sisters | Woody Allen | 1986 |
| 309. Floating Weeds | Yasujirō Ozu | 1959 |
| 310. Peeping Tom | Michael Powell | 1960 |
| 311. West Side Story | Robert Wise | 1961 |
| 312. Pinocchio | Ben Sharpsteen, Hamilton Luske | 1940 |
| 313. How Green Was My Valley | John Ford | 1941 |
| 314. L’Atalante | Jean Vigo | 1934 |
| 315. The Innocents | Jack Clayton | 1961 |
| 316. Memento | Christopher Nolan | 2000 |
| 317. Vampyr | Carl Theodor Dreyer | 1932 |
| 318. Ivan the Terrible | Sergei Eisenstein | 1944-46 |
| 319. Ordet | Carl Theodor Dreyer | 1955 |
| 320. The Killers | Robert Siodmak | 1946 |
| 321. Diaboliques | Henri-Georges Clouzot | 1955 |
| 322. Blow-Up | Michelangelo Antonioni | 1966 |
| 323. Before Sunset | RIchard Linklater | 2004 |
| 324. M*A*S*H | Robert Altman | 1970 |
| 325. Dog Day Afternoon | Sidney Lumet | 1975 |
| 326. Inglourious Basterds | Quentin Tarantino | 2009 |
| 327. Saving Private Ryan | Steven Spielberg | 1998 |
| 328. The Gold Rush | Charlie Chaplin | 1925 |
| 329. The Apartment | Billy Wilder | 1960 |
| 330. Casino | Martin Scorsese | 1995 |
| 331. I Vitelloni | Federico Fellini | 1953 |
| 332. Moonlight | Barry Jenkins | 2016 |
| 333. Man of the West | Anthony Mann | 1958 |
| 334. Cleo from 5 to 7 | Agnès Varda | 1962 |
| 335. 25th Hour | Spike Lee | 2002 |
| 336. The Bride of Frankenstein | James Whale | 1935 |
| 337. Teorema | Pier Paolo Pasolini | 1968 |
| 338. Reservoir Dogs | Quentin Tarantino | 1992 |
| 339. A Serious Man | The Coen Brothers | 2009 |
| 340. Back to the Future | Robert Zemeckis | 1985 |
| 341. The Piano | Jane Campion | 1993 |
| 342. Alphaville | Jean-Luc Godard | 1965 |
| 343. The Long Goodbye | Robert Altman | 1973 |
| 344. Women on the Verge of a Nervous Breakdown | Pedro Almodóvar | 1988 |
| 345. Carnal Knowledge | Mike Nichols | 1971 |
| 346. High Noon | Fred Zinnemann | 1952 |
| 347. The Departed | Martin Scorsese | 2006 |
| 348. Rio Bravo | Howard Hawks | 1959 |
| 349. Morocco | Josef von Sternberg | 1930 |
| 350. The Maltese Falcon | John Huston | 1941 |
| 351. Mon Oncle d’Amerique | Alain Resnais | 1980 |
| 352. Easy Rider | Dennis Hopper | 1969 |
| 353. The Wind | Victor Sjöström | 1928 |
| 354. Stranger Than Paradise | Jim Jarmusch | 1984 |
| 355. The Mother and the Whore | Jean Eustache | 1973 |
| 356. It Happened One Night | Frank Capra | 1934 |
| 357. Solaris | Andrei Tarkovsky | 1972 |
| 358. Letter From an Unknown Woman | Max Ophüls | 1948 |
| 359. The Aviator | Martin Scorsese | 2004 |
| 360. Stardust Memories | Woody Allen | 1980 |
| 361. Oldboy | Park Chan-wook | 2003 |
| 362. His Girl Friday | Howard Hawks | 1940 |
| 363. A Woman is a Woman | Jean-Luc Godard | 1961 |
| 364. E.T. the Extra-Terrestrial | Steven Spielberg | 1982 |
| 365. The Last of the Mohicans | Michael Mann | 1992 |
| 366. The Matrix | The Wachowskis | 1999 |
| 367. Amelie | Jean-Pierre Jeunet | 2001 |
| 368. A Hen in the Wind | Yasujirō Ozu | 1948 |
| 369. Come and See | Elem Klimov | 1985 |
| 370. The Fountain | Darren Aronofsky | 2006 |
| 371. Dr. Mabuse the Gambler | Fritz Lang | 1922 |
| 372. The Big Heat | Fritz Lang | 1953 |
| 373. Spirited Away | Hayao Miyazaki | 2001 |
| 374. Whiplash | Damien Chazelle | 2014 |
| 375. October: Ten Days That Shook the World | Sergei Eisenstein, Grigori Aleksandrov | 1928 |
| 376. Senso | Luchino Visconti | 1954 |
| 377. A Pigeon Sat on a Branch Reflecting on Existence | Roy Andersson | 2014 |
| 378. Uncle Boonmee Who Can Recall His Past Lives | Apichatpong Weerasetkul | 2010 |
| 379. Run Lola Run | Tom Tykwer | 1998 |
| 380. Badlands | Terrence Malick | 1973 |
| 381. An Autumn Afternoon | Yasujirō Ozu | 1962 |
| 382. Mr. Turner | Mike Leigh | 2014 |
| 383. A History of Violence | David Cronenberg | 2005 |
| 384. Hour of the Wolf | Ingmar Bergman | 1968 |
| 385. Platform | Jia Zhangke | 2000 |
| 386. La Roue | Abel Gance | 1923 |
| 387. Alexander Nevsky | Sergei Eisenstein, Dmitri Vasilyev | 1938 |
| 388. A Fistful of Dollars | Sergio Leone | 1964 |
| 389. The Holy Mountain | Alejandro Jodorowsky | 1973 |
| 390. Son of Saul | László Nemes | 2015 |
| 391. Tokyo Drifter | Seijun Suzuki | 1966 |
| 392. The Manchurian Candidate | John Frankenheimer | 1962 |
| 393. Three Colours: White | Krzysztof Kieslowski | 1994 |
| 394. For a Few Dollars More | Sergio Leone | 1965 |
| 395. La Chienne | Jean Renoir | 1931 |
| 396. The Exterminating Angel | Luis Buñuel | 1962 |
| 397. The Band Wagon | Vincente Minnelli | 1953 |
| 398. Elevator to the Gallows | Louis Malle | 1958 |
| 399. Scarlet Street | Fritz Lang | 1945 |
| 400. Enemy | Denis Villeneuve | 2013 |
| 401. Thief | Michael Mann | 1981 |
| 402. Under the Skin | Jonathan Glazer | 2013 |
| 403. The Haunting | Robert Wise | 1963 |
| 404. Who’s Afraid of Virginia Woolf? | Mike Nichols | 1966 |
| 405. Trainspotting | Danny Boyle | 1996 |
| 406. Rope | Alfred Hitchcock | 1948 |
| 407. Anatomy of a Murder | Otto Preminger | 1959 |
| 408. King Kong | Merian C. Cooper, Ernest B. Schoedsack | 1933 |
| 409. Eraserhead | David Lynch | 1977 |
| 410. Barton Fink | The Coen Brothers | 1991 |
| 411. Trouble in Paradise | Ernst Lubitsch | 1932 |
| 412. Stray Dog | Akira Kurosawa | 1949 |
| 413. Crimes and Misdemeanours | Woody Allen | 1989 |
| 414. Shame | Ingmar Bergman | 1968 |
| 415. On the Waterfront | Elia Kazan | 1954 |
| 416. The Birds | Alfred Hitchcock | 1963 |
| 417. The Man Who Fell to Earth | Nicolas Roeg | 1976 |
| 418. Twin Peaks: Fire Walk With Me | David Lynch | 1992 |
| 419. Kaagaz Ke Phool | Guru Dutt | 1959 |
| 420. You, The Living | Roy Andersson | 2007 |
| 421. The Big Parade | King Vidor | 1925 |
| 422. Ivan’s Childhood | Andrei Tarkovsky | 1962 |
| 423. Marie Antoinette | Sofia Coppola | 2006 |
| 424. Le Jour se Leve | Marcel Carne | 1939 |
| 425. The Adventures of Baron Munchausen | Terry Gilliam | 1988 |
| 426. A Star is Born | George Cukor | 1954 |
| 427. Shadow of a Doubt | Alfred Hitchcock | 1943 |
| 428. Valhalla Rising | Nicolas Winding Refn | 2009 |
| 429. Synecdoche, New York | Charlie Kaufman | 2008 |
| 430. Damnation | Béla Tarr | 1988 |
| 431. Carrie | Brian de Palma | 1976 |
| 432. 12 Angry Men | Sidney Lumet | 1957 |
| 433. Beauty and the Beast | Jean Cocteau | 1946 |
| 434. City of God | Fernando Meirelles, Kátia Lund | 2002 |
| 435. Lovers on the Bridge | Leos Carax | 1991 |
| 436. Cabaret | Bob Fosse | 1972 |
| 437. Still Life | Jia Zhangke | 2006 |
| 438. A Streetcar Named Desire | Elia Kazan | 1951 |
| 439. One From the Heart | Francis Ford Coppola | 1981 |
| 440. Vivre sa Vie | Jean-Luc Godard | 1962 |
| 441. Lenny | Bob Fosse | 1974 |
| 442. Lola | Rainer Werner Fassbinder | 1981 |
| 443. Detective Story | William Wyler | 1951 |
| 444. Track of the Cat | William A. Wellman | 1954 |
| 445. Wings of Desire | Wim Wenders | 1987 |
| 446. The 39 Steps | Alfred Hitchcock | 1935 |
| 447. Klute | Alan J. Pakula | 1971 |
| 448. The Quiet Man | John Ford | 1952 |
| 449. Holy Motors | Leos Carax | 2012 |
| 450. Taste of Cherry | Abbas Kiarostami | 1997 |
| 451. Wings | William A. Wellman | 1927 |
| 452. Full Metal Jacket | Stanley Kubrick | 1987 |
| 453. Enter the Void | Gaspar Noé | 2009 |
| 454. Journey to Italy | Roberto Rossellini | 1954 |
| 455. Talk to Her | Pedro Almodóvar | 2002 |
| 456. Death in Venice | Luchino Visconti | 1971 |
| 457. Hunger | Steve McQueen | 2008 |
| 458. Fantastic Mr. Fox | Wes Anderson | 2009 |
| 459. Ben-Hur | William Wyler | 1959 |
| 460. Shane | George Stevens | 1953 |
| 461. Gravity | Alfonso Cuarón | 2013 |
| 462. 12 Monkeys | Terry Gilliam | 1995 |
| 463. Le Cercle Rouge | Jean-Pierre Melville | 1970 |
| 464. The Great Beauty | Paolo Sorrentino | 2013 |
| 465. The Piano Teacher | Michael Haneke | 2001 |
| 466. Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles | Chantal Akerman | 1975 |
| 467. Fallen Angels | Wong Kar-wai | 1995 |
| 468. Two English Girls | François Truffaut | 1971 |
| 469. La Haine | Mathieu Kassovitz | 1995 |
| 470. Antichrist | Lars von Trier | 2009 |
| 471. Devi | Satyajit Ray | 1960 |
| 472. Branded to Kill | Seijun Suzuki | 1967 |
| 473. We Need to Talk About Kevin | Lynne Ramsey | 2011 |
| 474. The Man With the Golden Arm | Otto Preminger | 1955 |
| 475. The Darjeeling Limited | Wes Anderson | 2007 |
| 476. Mr. Smith Goes to Washington | Frank Capra | 1939 |
| 477. Only God Forgives | Nicolas Winding Refn | 2013 |
| 478. La Bête Humaine | Jean Renoir | 1938 |
| 479. Blood Simple | The Coen Brothers | 1984 |
| 480. Django Unchained | Quentin Tarantino | 2012 |
| 481. All the President’s Men | Alan J. Pakula | 1976 |
| 482. Paterson | Jim Jarmusch | 2016 |
| 483. Rebecca | Alfred Hitchcock | 1940 |
| 484. Gone Girl | David Fincher | 2014 |
| 485. The Dark Knight Rises | Christopher Nolan | 2012 |
| 486. Memories of Murder | Bong Joon-ho | 2003 |
| 487. Lost Horizon | Frank Capra | 1937 |
| 488. Scenes from a Marriage | Ingmar Bergman | 1973 |
| 489. Out of Sight | Steven Soderbergh | 1998 |
| 490. 12 Years a Slave | Steve McQueen | 2013 |
| 491. The Last Picture Show | Peter Bogdanovich | 1971 |
| 492. Crouching Tiger, Hidden Dragon | Ang Lee | 2000 |
| 493. The Grandmaster | Wong Kar-wai | 2013 |
| 494. Day of Wrath | Carl Theodor Dreyer | 1943 |
| 495. O Brother Where Art Thou? | The Coen Brothers | 2000 |
| 496. Paisan | Roberto Rossellini | 1946 |
| 497. Aparajito | Satyajit Ray | 1956 |
| 498. Orlando | Sally Potter | 1992 |
| 499. The Lady Eve | Preston Sturges | 1941 |
| 500. She Wore a Yellow Ribbon | John Ford | 1949 |
Most Represented Directors
12 films
- Ingmar Bergman
11 films
- Alfred Hitchcock
8 films
- Stanley Kubrick
- Akira Kurosawa
- Federico Fellini
- Martin Scorsese
- John Ford
- The Coen Brothers
7 films
- Yasujirō Ozu
- Andrei Tarkovsky
- Jean-Luc Godard
6 films
- Krzysztof Kieslowski
- Francis Ford Coppola
- Wong Kar-wai
- Fritz Lang
- Michelangelo Antonioni
- Luchino Visconti
- Wes Anderson
- Howard Hawks
5 films
- Orson Welles
- Terrence Malick
- Paul Thomas Anderson
- David Lynch
- Sergio Leone
- Sergei Eisenstein
- Carl Theodor Dreyer
- Quentin Tarantino
- Steven Spielberg
- F.W. Murnau
- Michael Powell
- Woody Allen
- Satyajit Ray
- Roman Polanski
- David Fincher
4 films
- Jean Renoir
- Bela Tarr
- François Truffaut
- Robert Altman
- Christopher Nolan
- Lars von Trier
- Jean-Pierre Melville
- Roberto Rossellini
- Frank Capra
3 films
- Alfonso Cuarón
- Max Ophüls
- Peter Greenaway
- Josef von Sternberg
- Alejandro Iñárritu
- David Lean
- Alain Resnais
- Billy Wilder
- Mikhail Kalatozov
- Michael Haneke
- Michael Mann
- Park Chan-wook
- William Wyler
- Terry Gilliam
- Roy Andersson
- Spike Lee
- Jim Jarmusch
- Luis Buñuel
- Douglas Sirk
- Otto Preminger
- Charlie Chaplin
- Darren Aronofsky
- Steve McQueen
- Nicolas Roeg
- Sidney Lumet
- Mike Nichols
- Alan J. Pakula
- Robert Wise
2 films
- Brian de Palma
- D.W. Griffith
- Zhang Yimou
- David Cronenberg
- Buster Keaton
- Vittorio de Sica
- Bernardo Bertolucci
- Werner Herzog
- Jacques Tati
- Pedro Almodóvar
- Masaki Kobayashi
- Ridley Scott
- Pier Paolo Pasolini
- Nicolas Winding Refn
- John Huston
- Abel Gance
- Dario Argento
- Edward Yang
- Sofia Coppola
- Damien Chazelle
- Victor Fleming
- Mike Leigh
- Apichatpong Weerasethakul
- Jia Zhangke
- Gaspar Noé
- Marcel Carne
- Steven Soderbergh
- Michael Cimino
- Guru Dutt
- Rainer Werner Fassbinder
- William Friedkin
- King Vidor
- Elia Kazan
- Miloš Forman
- Leos Carax
- Seijun Suzuki
- Bob Fosse
- William A. Wellman


Killer job Declan!! I’m estastic to see 1900, Lost Highway and Hero make this list.
I will definitely have to revisit Mirror if you have it at #77.
Our top 100’s have 62 films in common.
Thanks Harry! Hero especially is a film I think about often, I definitely couldn’t keep it out of my top 100.
Mirror is still very fresh in my mind, but watching it right next to The Sacrifice (a relatively low level masterpiece) I was a lot more swept away. I just finished writing my review on it and even though it’s not necessarily my longest, it might be among those I’ve spent the longest working on. Same goes for The Sacrifice. Tarkovsky is not easy to write about – it almost feels a bit pointless trying to capture his images in words.
Looks like The Tenant might have just missed this cut…
Also I’ve been thinking about that moratorium/10 year limit. For me I have seen most of the films I have seen since 2020/2021 so I feel I am mostly immune to that recency bias but I could see how it would affect someone who has been tracking along all that time.
I also think it’s a matter of a film earning its place among the greats with time to settle in the culture. Like I feel that I may have a fairly good estimate of where a film like Oppenheimer might end up here, but at the same time it is far too fresh to say it is on the level of bona fide classics like the Umbrellas of Cherbourg or The Graduate.
Great, great job, Declan! So many awesome choices and so many absurd ones (Notorious at 150?) – I am obviously kidding, it’s these differences of opinions that make ranking films so much fun. It takes some courage to put out such a massive list like this, so kudos!
Thanks so much Pedro, it means a lot! 100% agree with you there – and who knows, Notorious could rise higher on future updates.
An extremely impressive list Declan! We have a lot in common in our top 250 but, I’ve also included a few newly released masterpieces like Oppenheimer and Dune. Also, just wanted to know how frequently you update your list and how do new films improve their standings on the list or get included in the first place?
Thanks Parmeet! This list is almost a year old now so a fair few films have shifted around after some reflection or rewatches, and there are a lot of others I hadn’t seen at the time which would certainly make it today. I have lots of plans for next year though, and part of that is expanding this list to 500 with all those updates. With the ten year limit I have on my list, that will also include films from 2014 and 2015 that aren’t currently on it. Have you got a link to your film list somewhere?
Sure, man. I don’t have a website like you but, I’ve made a list on my Letterboxd account. It’s new though and I haven’t reviewed most of the top ones as I haven’t rewatched them yet. https://boxd.it/xWd9u
https://boxd.it/xWd9u
@Declan, where do you think Dunkirk would land up on this list?
Do you think this might get a 2024 update? Interested to see where some 2014 MP’s like Birdman and Budapest might land….
I’ve got lots of big plans for next year including expanding this to 500, so it will include both 2014 and 2015 films as well.
Is this still on track for this year?
I was going to wait for the 2000s page to be done but may move ahead with the updated decade pages, and build up to the Top 500. So more likely beginning of next year.
I think you’re kind of overrating Malick and PTA. They’re extremely good but not very movie of theirs needs to be so high. The New World, Boogie Nights, Punch Drunk-Love and The Tree of Life (it needs a lot more time to be considered top 10 worthy but it’s still a top 100 contender) are lower in my opinion.
I agree that films need some time before settling into the canon, but that’s why I set the moratorium at 10 years. Once that time is up, I don’t see any reason to grade it on a curve – that’s something the TSPDT consensus list does which I’m not a fan of. I’d rather just focus on ranking according to a film’s stylistic and formal qualities.
Declan, I just finished updating my top 250 films today after some rewatches and reflections on the films. I tried to be less biased and more subjective and I think It now shows my knowledge and tastes much better. Would you mind going through it and giving your valuable insights? https://boxd.it/xWd9u
Excellent list, lots of crossover between ours! I love seeing Persona so high and the abundance of Ingmar Bergman films in general. Lots of Indian cinema on there I still need to get to myself, but I am planning to clear some of that up with a Satyajit Ray study next year, and I very much appreciate the Guru Dutt recognition.
I can’t complain too much about The Passion of Joan of Arc at 15, even if I feel it deserves a top 10 spot. I also probably wouldn’t put Inception so high up on my own list, but it’s a masterpiece nonetheless.
I see you’ve got two of Bela Tarr’s three big masterpieces on there – have you considered tackling Satantango at some point?
Yeah, I know some people might be surprised with Inception so high but I have studied it to death and am also higher on it than most people. I don’t think that it’s wrong for you to have Inception at #135 because you still consider it a masterpiece too.
Joan of Arc is one that i hope to rewatch sometime early next year so I think I might appreciate its achievements a little more the next time nad hopefully go higher on it.
Also, Satatango is too long for me to take out time right now so, I’m just waiting for any long vacation to come around. Do you plan on updating your list though?
I’m hoping to update it in maybe the second half of next year, along with the decade lists and some pages for the individual 2000s years.
Do you plan on seeing Jeanne Dielman in the near future? It’s a monumental achievement of formal rigor, easily a MP and a top 200 film at least as far as I’m concerned.
Strict rule of static shots to box a character in her trapped routine, carefully organized mise-en-scene of objects to reflect her neat and very planned out psyche (not Ozu tier or even Wes Anderson, but very good still), clear deliberate use of green/teal in the mise-en-scene throughout almost all the sequences (a “stable and grounded” color in color theory), spans three days and close to all in real-time IIRC, the film’s whole thing is repetition and introducing more and more slight variations in that repetition from an initial deviation and gap in the real-time of the narrative. I don’t want to say too much but there’s a certain point where Akerman cleverly cheats the box form without formally breaking the rule, and it ties completely into the narrative. Absolute dedication to a concept as form.
Seyrig also pulls an all-time (mostly quiet) performance IMO, the camera never lets her breathe to focus on anyone else and she has no close ups filled with pathos to lean on either. Completely deglamorized from her Marienbad character.
Real shame the Sight&Sound-gate muddled discussion on the film’s cinematic merits in favor of culture war monkeys.
Les Rendez-vous d’Anna is good too, a better photography overall I’d say, but more conventional and without the conceptual greatness of Jeanne. I’d have it as a MS. You could even push this into a short study if you wanted to, like Eustache, as Akerman’s fiction body of work is quite small because she worked in documentaries a lot.
Thanks for the recommendation, I’ve got this lined up on my watch list for next year. Could be worth doing that study you mentioned as well – I’ve got similar plans for Jean Vigo’s two films.
That’s a good one. I think the only more succinct study of a Great you could do is Laughton lol.
Don’t skip À propos de Nice with Vigo, it’s like a short and sweet western version of The Man With a Movie Camera, only 20 minutes or so. Worth it.
You’ve already covered three of my favorite directors, the ones I look forward to the most would be Dreyer, Kubrick, Welles and Antonioni now. I still need to read the Fellini.
My personal 25 but I can change my mind when I sneeze.
In chronological order:
Sherlock Jr. – Keaton 1924
Passion of Joan of Arc – Dreyer 1928
Man with a Movie Camera – Vertov 1929
Rules of the Game – Renoir 1939
Ivan the Terrible – Eisenstein 1944
Spring in a Small Town – Fei Mu 1948
Letter From An Unknown Woman – Ophüls 1948
Late Spring – Ozu 1949
Life of Oharu – Mizoguchi 1951
Voyage To Italy – Rossellini 1954 *
Floating Clouds – Naruse 1955
All That Heaven Allows – Sirk 1955
Au Hasard Balthazar – Bresson 1960
Mothlight – Brakhage 1963
Pierrot Le Fou – Godard 1965
PlayTime – Tati 1967
Death by Hanging – Oshima 1968
Wanda – Loden 1970
Celine and Julie Go Boating – 1974
Sans Soleil – Marker 1983
Yellow Earth – Chen 1984
The Terrorizers – Yang 1986
Mauvais Sang – 1986
My Neighbor Totoro – Miyazaki 1988
Life, and Nothing More… Kiarostami 1992
* I hate that they changed its original English title of Voyage To Italy that lasted for decades to the new Journey To Italy. The original Italian title is Viaggio in Italia and it suggest the main characters are IN Italy already.
It’s interesting to me that Blade Runner (#6 here) is usually ranked higher than Lawrence of Arabia (#13), including here, when it’s lower on most craft lists. Acting (#6 for O’Toole, #53 for Hauer), screenplay (#22 for Arabia, N/A for Blade Runner), editing (#31 for Arabia, N/A for Blade Runner), visuals (#3 for Arabia, #11 for Blade Runner), and score (#4 for Arabia, #32 for Blade Runner). Is there some other aspect that gives Blade Runner its higher rating?
This list is due an update, hopefully towards the start of next year. Blade Runner has sunk a little, but for what it’s worth I think there are some things that aren’t captured by the craft lists alone. Formal elements like motifs and symbols are sometimes captured under writing, but in the case of Blade Runner, I think they are a little more separate.
Hello, Declan! Just finished watching Psycho, definitely a MP for me. But I was surprised you have it as 34 of all time. In my opinion, the psychiatrist scene overexplains a lot and it kind of bothered me. What do you think about it?
It has a dropped a little since I published this list. I agree on the psychiatrist scene, but it is a minor blemish on the film in much the same way the gags in The Searchers don’t really impact its all-time status.