Sergei Eisenstein: Symphonies of Soviet Cinema
Cinema becomes a symphony of notes, rhythms, and textures within the hands of Soviet propagandist Sergei Eisenstein, developing the language of film editing through his five methods of montage, and reaching a peak of visual, kinetic innovation that has never been surpassed.
Keep reading
Jean Eustache: Masculinity in the Making
After drifting around the edges of the French New Wave, Jean Eustache takes lessons from his mentors to compose autobiographical interrogations of insecure masculinity, often sharing the same passions, anxieties, and shortcomings as his troubled young protagonists.
Keep reading
Federico Fellini: Miracles and Masquerades
Spanning both neorealism and feverish surrealism, Federico Fellini imbues his examinations of Italy’s past and present with whimsical theatrics, celebrating life’s innocent joys while exposing the spiritual emptiness that lies beneath its extravagant facades.
Keep reading
Ingmar Bergman: Faces of Faith and Doubt
Seeking the foundations of human identity, existence, and purpose in the absence of a responsive God, Ingmar Bergman composes severe modern parables of great spiritual weight, turning faces into landscapes that both express and withhold deep psychological truths.
Keep reading
Jacques Tati: The Mime of Modern France
The spirit of silent comedy is kept alive in Jacque Tati’s eccentric satires, sending up the inefficient distractions of modern civilisation through bizarrely constructed architectural monuments and gags, many of which stand among cinema’s most brilliantly odd set pieces.
Keep reading
Krzysztof Kieslowski: The Souls of Strangers
As a leading figure in cinematic, philosophical storytelling, Krzysztof Kieslowski probes metaphysical questions of fate, morality, and spirituality, using sensual colour palettes and symbolic cutaways to better understand the lives that lie just beyond our immediate perspectives.
Keep readingSomething went wrong. Please refresh the page and/or try again.
Scene by Green 