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The Holy Man (1965)
When a religious conman preys on a grieving family in The Holy Man, Satyajit Ray sets the stage for a battle of reason and delusion, threatening to unravel a young couple’s hopes of romance with a wry, comical edge.
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The Coward (1965)
Time instantly dissipates when one young scriptwriter runs into his former lover in The Coward, yet Satyajit Ray keeps emotional closure at a tentative distance as this old flame resists rekindling, choreographing a dance of glances and hesitations that ambiguously withholds the truth.
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Charulata (1964)
Satyajit Ray’s lonely housewife in Charulata does not live an exciting existence by any measure, yet his subtle choreography of camera and blocking elevates this mundanity into something hypnotic, and utterly mesmerising when guilty feelings for her husband’s cousin begin to stir.
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The 25 Best Directors of the Last Decade
The best directors of the last ten years, from blockbuster visionaries to arthouse experimentalists.
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The Odyssey (2026)
It takes a brave soul to adapt a story as monumental as The Odyssey, and in carving a veteran’s reckoning from its classical hero’s journey, Christopher Nolan composes a thoughtful, cinematic elegy for what war leaves behind in its homebound survivors.
