In conceiving of a shady corporation that turns lonely men into political assassins in The Parallax View, Alan J. Pakula takes full control of the prying investigations and double crosses driving his tightly-wound narrative, letting his camera linger on those sinister, dark spaces that conceal the puppet strings manipulated by faceless elites.Keep reading
Trafic may not possess the sheer ambition of Jacques Tati’s previous films, but his resourcefulness remains remarkable, uncovering rich satire in recognising that the attempts of drivers trying to get somewhere while helplessly sitting in stagnant crowds of high-tech, metal boxes may be the ultimate paradox of an inept modern society.Keep reading
It might be a barren beauty which infests the deteriorating Texas oil town of The Last Picture Show, but as we grow to understand the small lives and histories dotted through its community, Peter Bogdanovich also sensitively paints it out as a tactile landscape of feeble dreams and disappointments.Keep reading
Polish factory worker Filip first picks up his camera to film the birth of his daughter, but as he grows more ambitious throughout Camera Buff, Krzysztof Kieslowski turns his tale into one of calloused obsession and denial, seeing the aspiring documentarian point his lens at everyone but himself in an effort to avoid examining his own shortcomings.Keep reading
Relative to Krzysztof Kieslowski’s great masterpieces of the 80s and 90s, The Scar is a modest piece of social realism, grounded in the details of Communist Poland’s bureaucracy and its controversial small-town development of a chemical factory that challenges one sympathetic Party member’s hopeful ideals.Keep reading
Nature has never been so frightening nor humanity so stubbornly delusional as they are in Aguirre, the Wrath of God, as Werner Herzog’s disorientating camerawork and breath-taking cinematography of the Peruvian wilderness loses us in the absurd quest of 17th century Spanish conquistadors to find the fabled country of El Dorado.Keep reading
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