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  • Eternals (2021)

    Eternals (2021)

    Casting aside those moments where Chloe Zhao gives up her artistic voice to the will of Marvel Studios, Eternals may be the franchise’s most narratively and stylistically ambitious film yet, constructing entire civilisations from the sorts of natural landscapes and golden hour lighting that the Oscar-winning director has well and truly mastered capturing.


  • Mommy (2014)

    Mommy (2014)

    Even though comparisons might be drawn between Instagram aesthetics and Mommy’s poppy style, Xavier Dolan’s film is far more artistically rich than anything one might find scrolling through social media feeds, as he finds both profound joy and grief in the strained relationship between a mother and son who can’t quite attain the long-lasting happiness…


  • A Nightmare on Elm Street (1984)

    A Nightmare on Elm Street (1984)

    The strength of Wes Craven’s fresh approach to horror filmmaking in A Nightmare on Elm Street still stands almost forty years later, playing into the genre’s conventional corruption of innocence by directly attacking deeper, more vulnerable areas of the human subconscious than so many other films before or after its time.


  • Ninotchka (1939)

    Ninotchka (1939)

    It takes a director as known for his sophisticated “touch” as Ernst Lubitsch to smoothly integrate Greta Garbo’s brilliantly blunt deadpan into such an elegantly blossoming romance, thereby creating one of the great comedic characters of the 1930s in Ninotchka.


  • The Green Knight (2021)

    The Green Knight (2021)

    Medieval English folklore finds fresh life in The Green Knight as David Lowery relishes the poetic fantasy and dreamlike imagery of this enchanting setting, and very gradually surrenders Sir Gawain’s mystical quest for glory to the creeping power of time, nature, and mortality.


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