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Inception (2010)
Christopher Nolan had already established himself as a master of experimental narrative form, but it wasn’t until he combined that with an epic, ambitious visual style in Inception that he became a generation-defining filmmaker.
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Brazil (1985)
Terry Gilliam’s construction of a futuristic Britain is visually daunting, but Brazil never shies away from the dark comedy of a government desperately out of touch with reality, brilliantly constructed through surreal, absurdist set pieces.
