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  • The Red Shoes (1948)

    The Red Shoes (1948)

    Michael Powell’s control over his very specific colour palettes all through The Red Shoes goes beyond the crafting of immaculate compositions, as it furthermore binds us so tightly to the disintegrating mental state of aspiring dancer Vicky, that we can’t help but be plunged right into the psychological depths of her pure, self-destructive ambition.


  • The Outsiders (1983)

    The Outsiders (1983)

    Even as The Outsiders stands up today as a well-done adaptation of a pivotal coming-of-age novel, the odd misstep also marks it as the beginning of Francis Ford Coppola’s descent into less-than-outstanding filmmaking.


  • The Discreet Charm of the Bourgeoisie (1972)

    The Discreet Charm of the Bourgeoisie (1972)

    With each successive scene building on previously established motifs and ideas, The Discreet Charm of the Bourgeoisie develops a rigorous theme and variation structure that serves to bolster Luis Buñuel’s acidic attack on Europe’s wealthy ruling classes.


  • Duck Soup (1933)

    Duck Soup (1933)

    By applying their knack for satire to the incompetent, narcissistic political leaders of the western world in Duck Soup, the Marx Brothers hit on comedy gold.


  • Groundhog Day (1993)

    Groundhog Day (1993)

    With its tremendous narrative form in repetition as the basis for a rich character arc, Groundhog Day just keeps allowing for more surprising revelations on each rewatch, giving it, quite ironically, a “timeless” quality.


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