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L’Avventura (1960)
For the Italian bourgeoisie who sit untouched above the rest of society in Michelangelo Antonioni’s L’Avventura, there is such a thin line between existence and non-existence that the disappearance of a friend barely registers. The only tangible truths out there are those huge, material constructions which tower over the city, like odes to the superfluity…
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The Underground Railroad (2021)
Barry Jenkins’ revision of the real “underground railroad” manifests as a retro-futuristic gift of modern-day resources to those who worked in secret to free slaves, dropping small, quiet doses of magical realism in among historical horrors.
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Spider-Man: Into the Spider-Verse (2018)
With one foot in the past and one in the future, Spider-Man: Into the Spider-Verse reflects its own deconstruction of the hero in its visual artistry, examining the patterns and core values which transcend cultures and generations to bind together those who engage in a common fight for justice.
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Inception (2010)
Christopher Nolan had already established himself as a master of experimental narrative form, but it wasn’t until he combined that with an epic, ambitious visual style in Inception that he became a generation-defining filmmaker.
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Brazil (1985)
Terry Gilliam’s construction of a futuristic Britain is visually daunting, but Brazil never shies away from the dark comedy of a government desperately out of touch with reality, brilliantly constructed through surreal, absurdist set pieces.
