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The English Patient (1996)
Wistful memories and melancholy regrets swirl all through The English Patient’s vast, time-leaping narrative, developing its gentle ruminations over national identity into a historical epic of extraordinary beauty, as Anthony Minghella uses the sprawling emptiness of the desert to underscore the majesty and romance of the larger-than-life characters traversing it.
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2014 in Cinema
Alejandro Iñárritu’s studies celebrity and ego in his one-take wonder, Wes Anderson throws back to mid-century Budapest with his immaculate pastel artistry, and Richard Linklater’s coming-of-age epic breaks new ground in realist cinema.
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Broken Blossoms (1919)
Broken Blossoms may be a simple, tragic fable of ill-fated lovers, though such eloquent visual poetry refreshes its archetypes through crisp close-ups and propulsive editing, inviting the sort of intimacy that D.W. Griffith alone realised in these early years of cinema was uniquely suited to this young, nascent artform.
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2013 in Cinema
Paweł Pawlikowski delivers a haunting meditation on the long-lasting trauma of the Holocaust, Richard Linklater ties off his decades-spanning Before trilogy, and Nicolas Winding Refn’s neon-tinted violence heavily polarises audiences.
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Forty Guns (1957)
Forty Guns draws significantly from the cultural mythology around lawman Wyatt Earp’s restoration of order to the town of Tombstone, though in Samuel Fuller’s eccentric visual expressions and complex characters, touches of bitterness and sensitivity are brought to this refreshing, female-centric revision of the Old West.
