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2025 Oscar Predictions and Snubs

The three-way race between Anora, The Brutalist, and Emilia Pérez has begun to widen in the final weeks of the awards race, while the competition stays hot in below-the-line categories.

Emilia Pérez (2024)

Jacques Audiard is no hack, and there is some merit to the outlandish ambition of this pulpy, musical melodrama about a cartel kingpin’s transition, yet its constant misfires keep Emilia Pérez from ever settling on a coherent direction.

A Complete Unknown (2024)

The unity of art and politics was not exactly a new concept in the 1960s, but Bob Dylan’s refreshing brand of celebrity that is both radically outspoken and mysteriously private inspires awe in A Complete Unknown, soulfully capturing the countercultural icon’s elusive, inscrutable essence.

The Brutalist (2024)

As we traverse Brady Corbet’s epic saga of a Hungarian-Jewish architect forging a new life, his ties to both America and his homeland intertwine, yielding complex artistic fusions born of bitter nostalgia, soured dreams, and deep-seated cultural trauma.

Conclave (2024)

What unfolds behind the closed doors of the Sistine Chapel in the wake of a pope’s death makes for a tantalising source of intrigue in Conclave, yet Edward Berger brings a solemn gravity to his staging of this suspenseful political thriller, exposing the secrets and moral weaknesses of those who vie for that newly vacant position of power.

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