soviet montage theory

Earth (1930)

The symbiosis between man, machine, and nature is a delicate dance in Earth, choreographed with seamless synchronicity through Oleksandr Dovzhenko’s lyrical montage editing, and celebrating the collectivist return of farming land back to the workers in the Soviet Union’s early days.

Mother (1926)

The radicalisation of a long-suffering family matriarch in Mother channels her fierce devotion towards the people of Russia, casting her as a revolutionary icon whose anguish and resilience is felt deeply in Vsevolod Pudovkin’s eloquent, invigorating montages.

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