Luchino Visconti

Ossessione (1943)

Luchino Visconti masterfully merges neorealism with the dark, fatalistic tension of film noir in Ossessione, unravelling a deadly affair between a pair of down-on-their-luck strangers, and revealing the inescapable consequences of passion, resentment, and poverty.

La Terra Trema (1948)

The tale of one fisherman’s attempted revolution against greedy local wholesalers is given an epic stage in La Terra Trema, tracing the sort of rise-and-fall archetype that once belonged to Roman mythology, yet which Luchino Visconti transposes here to an impoverished Sicilian village with incredible authenticity.

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