Josh Safdie propels a dubious table tennis champion toward compromised glory, Paul Thomas Anderson sends a washed-up revolutionary on a high-stakes mission, and Bi Gan dissolves the boundary between art and reality into a bittersweet exchange.
Through operatic mythologising and cinematic splendour, Guillermo del Toro magnificently elevates Frankenstein into a rueful, elegiac meditation on kinship, condemning both father and son to the same corrosive cycles of paternal cruelty, maternal absence, and a hunger for love that no creation can satisfy.
