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I Was Born, But… (1932)
Within the messy entanglement of power and status, Yasujirō Ozu’s formal mirroring of fathers and sons in I Was Born, But… reveals the conflict at the root of our common insecurities, as well as the sweet, liberating affirmation we never stop pursuing from infancy through adulthood.
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The 10 Best Cinematographers of the Last Decade
The best cinematographers of the last ten years, from IMAX pioneers to monochrome nostalgists.
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Tokyo Chorus (1931)
The subdued melodrama of Tokyo Chorus stands as a delicate testament to those teachers who not only educate us, but sagely guide us through our lowest moments, as Yasujirō Ozu cultivates his craftsmanship through the tender-hearted tale of an unemployed family man.
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The 10 Best Film Editors of the Last Decade
The best film editors of the last ten years, from masters of formal structure to offbeat action lovers.
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Destiny (1921)
In Destiny’s eternal struggle between love and death, a young woman bargains to win her fiancé back from the afterlife itself, navigating a series of tragically romantic tales through Fritz Lang’s extraordinary Gothic anthology.
