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Vitalina Varela (2019)
As one widow wanders the gloomy remnants of her estranged husband’s derelict home in Vitalina Varela, Pedro Costa glacially slips through cinematic paintings of a decaying Portuguese village, dimly illuminating its weathered production through harsh vignettes of light that seek spiritual healing from grief, and which challenge us to peel back the layers of its…
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Man of the West (1958)
The confrontation of one reformed outlaw with the shameful vestiges of his old life unfolds with a remarkably cynical disposition in Man of the West, as Anthony Mann’s widescreen, dusty landscapes and meticulous blocking presage the Spaghetti Westerns of Sergio Leone by several years, driving these brilliant character compositions with a sense of overbearing guilt…
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The Philadelphia Story (1940)
It is remarkable on its own that George Cukor united Katharine Hepburn, Cary Grant, and James Stewart in one film and captured such fine performances from each, though The Philadelphia Story is also even more delightful for its marvellously constructed web of romantic entanglements, which its lively screenplay and stars pick apart with insurmountable charm…
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The Departed (2006)
The Departed’s intricate construction of double-crosses and manipulations propels its gripping narrative forward with impeccable pacing, teasing out the parallels between an undercover cop and a criminal spy hellbent on uncovering each other’s identities, and yet in Martin Scorsese’s sly formal motifs there remains a nihilistic despair that these opposing forces may just cancel each…
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White Heat (1949)
As a crafter of truly stunning set pieces, Raoul Walsh expertly matches gangster Cody Jarrett’s huge emotions with kinetic, bombastic visuals in White Heat, but such slick direction is also perfectly suited to the Freudian bond he shares with his mother, exposing a pitiful underside to the tough, vicious persona he puts out into the…

