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I’m Still Here (2024)
When Brazil’s plague of forced disappearances reaches a beloved father in I’m Still Here, it is up to his resilient wife to keep the shattered pieces of her family’s lives together, transforming her sorrow and trauma into a testament of selfless, compassionate resistance.
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Maria (2024)
Opera singer Maria Callas’ astonishing talent is both her greatest gift and curse in Pablo Larraín’s impressionistic, melancholy biopic, simultaneously giving her reason to live and eroding her tormented soul as she wanders through the final week of her extraordinary life.
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2025 Oscar Predictions and Snubs
The three-way race between Anora, The Brutalist, and Emilia Pérez has begun to widen in the final weeks of the awards race, while the competition stays hot in below-the-line categories.
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The 50 Best Cinematographers of All Time
The greatest cinematographers of film history, from Technicolor pioneers to lighting virtuosos.
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Emilia Pérez (2024)
Jacques Audiard is no hack, and there is some merit to the outlandish ambition of this pulpy, musical melodrama about a cartel kingpin’s transition, yet its constant misfires keep Emilia Pérez from ever settling on a coherent direction.
