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Ninotchka (1939)
It takes a director as known for his sophisticated “touch” as Ernst Lubitsch to smoothly integrate Greta Garbo’s brilliantly blunt deadpan into such an elegantly blossoming romance, thereby creating one of the great comedic characters of the 1930s in Ninotchka.
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The Green Knight (2021)
Medieval English folklore finds fresh life in The Green Knight as David Lowery relishes the poetic fantasy and dreamlike imagery of this enchanting setting, and very gradually surrenders Sir Gawain’s mystical quest for glory to the creeping power of time, nature, and mortality.
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The Big Lebowski (1998)
Where one might expect to find an intelligent, sharply-dressed detective at the centre of this neo-noir, the Coen Brothers instead give us the opposite – a bearded man dressed in sandals, baggy shorts, and a robe, stuck in the hippie movement that has long since grown out of fashion. In the world of The Big…
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Topsy-Turvy (1999)
The partnership of Gilbert & Sullivan becomes a rich historical canvas upon which Mike Leigh grafts reflections of his own creative processes in Topsy-Turvy, and yet in its gloriously lavish interiors and the depth of the ensemble’s great talents, it also becomes an ode to those artists who can put aside their egos to share…
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La Roue (1923)
In drawing on the philosophies of his literary idols, Abel Gance crafts a breath-taking piece of epic cinematic poetry in La Roue, breaking the shackles of conventional silent filmmaking to explore the weight of obsession, guilt, love, and death on a man’s conscience over the course of his mortal life.
