2020s

  • Anora (2024)

    Sean Baker captures the whirlwind marriage between a New York stripper and wealthy Russian bachelor with spontaneous realism in Anora, colliding two worlds in euphoric, chaotic romance, and dragging it through the disenchantment of even messier heartbreak.

  • Nosferatu (2024)

    Count Orlok’s carnal voraciousness is more heightened than ever in Robert Eggers’ meticulously handsome remake of Nosferatu, underscoring the shameful, psychosexual desire which exposes each character to the vampire’s disturbing pull, and manifesting an archaic horror that feeds on our guilty hearts.

  • Wolfs (2024)

    George Clooney and Brad Pitt’s fixers require a certain independence to get their criminal work done, so when their reluctant partnership threatens to steer a job off track in Wolfs, a snarky buddy dynamic emerges that pulls them through the seedy underbelly of Manhattan.

  • Horizon: An American Saga – Chapter 1 (2024)

    Featuring a vast array of natural locations and rich characters, Kevin Costner announces a project so majestically bloated in Horizon: An American Saga – Chapter 1 that it threatens to dilute its own focus, yet which still etches out a sprawling, Western mythology refusing to be defined by a single perspective.

  • Alien: Romulus (2024)

    Through an attempted escape from corporate servitude and an unnatural distortion of biology, Alien: Romulus disturbingly examines the treacherous magnitude of human ambition, as well as the inhumanity which ironically threatens to cannibalise us in the process.

  • Wicked (2024)

    The splendid combination of musical and cinematic talents behind Wicked effectively claims its iconic cultural status within cinema as well as theatre, expanding this whimsical fable of friendship and prejudice to elaborate, epic proportions fitting of its grand narrative stakes.

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