2020s

  • Flee (2021)

    Flee (2021)

    There is an inherent clash between animation and documentary filmmaking in their relationship to reality, but in piecing together the memories of an Afghan refugee who fled his country in the 90s through live interviews and hand-drawn reconstructions, Jonas Poher Rasmussen turns Flee into a compellingly fluid examination of historical truth.

  • Benedetta (2021)

    Benedetta (2021)

    Paul Verhoeven’s irreverent provocations are well-suited to this compelling piece of Italian history, with each of Sister Benedetta’s cunning power plays, false miracles, and sexual advances driving this riveting narrative towards an outburst of wrathful vengeance, violently bringing a hypocritical Catholic Church to its knees.

  • C’mon C’mon (2021)

    C’mon C’mon (2021)

    There is an invitation built into both the title and story of C’mon C’mon, beckoning us to join a radio journalist and his nine-year-old nephew on a road trip across the United States, through which Mike Mills’ beautiful greyscale cinematography and stream-of-consciousness montages paint a portrait of a relationship as sweet and unhurried as his…

  • Passing (2021)

    Passing (2021)

    Rebecca Hall’s shallow focus and hazy black-and-white cinematography in Passing takes a dreamy hold over this interrogation of racial assimilation in 1920s New York, bringing together two old African-American childhood friends whose strikingly divergent lives lead to a reunion over thorny questions of identity and prejudice.

  • Barb and Star Go To Vista Del Mar (2021)

    Barb and Star Go To Vista Del Mar (2021)

    No doubt there are plot points in Barb and Star Go to Vista del Mar which don’t quite cohere with everything else, but with a screwball commitment to absurdly inventive visual gags and dialogue, the inspired collaboration between Josh Greenbaum, Kristen Wiig, and Anne Mumolo pushes the film’s narrative logic in hilariously unexpected directions.

  • Drive My Car (2021)

    Drive My Car (2021)

    Perhaps there is a leaner version of Drive My Car out there than the three-hour version Ryusuke Hamaguchi presents us with, but that would simply not do justice to the long journeys of healing lived by the complex characters at its heart, delicately forming a quiet limbo of endless self-reflection for those whose loved ones…

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