The canal barge which becomes home to newlyweds Jean and Juliette may feel like an oppressive enclosure at times, yet Jean Vigo’s lyrical direction of L’Atalante also reveals it to be a sanctuary of healing, guiding them on a journey to the marital bliss that has so far eluded them.
The rule of law is little more than an arbitrary imposition of authority in Zero for Conduct, and it is up to the roguish schoolboys of one French boarding school to restore the natural order, as Jean Vigo playfully mounts a rising disenchantment towards anarchic revolution.
Perhaps the only thing longer than the title Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles is the film itself, as Chantal Akerman forces us to feel every passing minute of one homemaker’s fastidious routine, along with its gradual, psychological decay into exasperating chaos.
By casting himself as the omniscient narrator of Two English Girls, François Truffaut imbues the love triangle between one aspiring Parisian writer and the two sisters he deeply loves with a tender, literary quality, playfully savouring every romantic and sexual encounter over nine years of their young lives.
