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  • The Purple Rose of Cairo (1985)

    The Purple Rose of Cairo (1985)

    The Purple Rose of Cairo is just as much an ode to the world of movies as it is a fable warning against the temptation to use them as a replacement for living, though it is through Woody Allen’s intelligent, enthusiastic screenplay and one of Mia Farrow’s most touchingly sweet performances that it beautifully transcends its…


  • The Lost Daughter (2021)

    The Lost Daughter (2021)

    The psychological drama that Maggie Gyllenhaal unravels in her directorial debut The Lost Daughter has no inhibitions in peeling back the sensitive and thorny layers of motherhood, crafting an uneasy atmosphere of paranoia that consumes the mind of two troubled women torn between their families and the allure of freedom.


  • Tick, Tick… Boom! (2021)

    Tick, Tick… Boom! (2021)

    Tick, Tick… Boom! seeps with a zest for life shared by both director Lin-Manuel Miranda and his subject of fascination, musical theatre writer Jonathan Larson, openly embracing notions of bohemia and self-aware numbers in a deconstruction of artistic ambitions, obsessions, and egos.


  • House of Gucci (2021)

    House of Gucci (2021)

    It might be a little generous calling House of Gucci “Shakespearean”, but Ridley Scott’s decades of experience working with classical narratives and archetypes effectively turns this complicated piece of recent history into an epic tragedy of grand destinies and fallen empires.


  • Broadway Danny Rose (1984)

    Broadway Danny Rose (1984)

    Woody Allen turns the very act of storytelling into a form of respect in Broadway Danny Rose, framing the peculiar ventures of one feckless talent agent within flashbacks of a stream-of-consciousness conversation, and preserving the man’s legacy within the urban mythology of New York City.


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