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The Best Films of the 2020s Decade (so far)
The greatest films of the 2020s so far, from the growth of auteur television to boundary-pushing metamodernism.
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Disclaimer (2024)
Between a vengeful misanthrope and the guilt-ridden woman he holds accountable for his son’s death, Alfonso Cuarón studies the confounding subjectivity of storytelling in Disclaimer, exposing painfully conflicting perspectives woven into the very structure of his series.
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Rebel Ridge (2024)
Patience, discernment, and cunning are virtues embodied in veteran Terry’s violent pursuit of justice in Rebel Ridge, and as he fights to save his imprisoned cousin and expose a corrupt police force, so too are they superbly carried through in Jeremy Saulnier’s tense, brooding storytelling.
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Joker: Folie à Deux (2024)
If there was ever a supervillain to leap into the movie-musical genre, then it is surely the one whose schtick is highlighting life’s senseless absurdity through colourful, extravagant theatrics, and not even the inconsistencies that plague Todd Phillips’ direction of Joker: Folie à Deux can completely detract from such vibrantly unhinged madness.
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The Substance (2024)
The black-market drug which reverts users to their younger selves is an appealing prospect in The Substance, though its side effects reveal a horrifying underside to such desires, seeing Coralie Fargeat compose a disturbing allegory for the physical deterioration of our ageing bodies and the destructive self-loathing which comes with it.
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Kingdom of the Planet of the Apes (2024)
Kingdom of the Planet of the Apes may not possess the rich character work of the other prequels, yet Wes Ball’s development of this majestic, tribal world through the legacy of its ancestors is admirable, examining splintered ideological factions that exploit sacred doctrine for their own selfish purposes.
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Megalopolis (2024)
Francis Ford Coppola’s conceptual fusion of Ancient Rome and modern America into an epic Shakespearean fable is promising in Megalopolis, though the precision and focus that once defined his storytelling is completely absent here, tangled up in its inability to carry a single line of thought through to completion.