-
The Best Films of the 2020s Decade (so far)
The greatest films of the 2020s so far, from the growth of auteur television to boundary-pushing metamodernism.
-
All of Us Strangers (2023)
Andrew Haigh commands his magical realism with subdued wonder in All of Us Strangers, entering the dreams of a lonely queer Londoner grieving the decades-old tragedy that left him an orphan, yet still finding solace in the ghosts of childhood memories and alternate lives he might have led.
-
The Iron Claw (2023)
As countless heartbreaking tragedies are visited upon the Von Erich dynasty of wrestlers, Sean Durkin reveals the true nature of The Iron Claw – not as a conventional sports biopic, but a psychological drama keenly interested in destiny, chance, and the rumoured family curse that haunts its descendants.
-
Nyad (2023)
With Nyad’s basis in the true story of one 64-year-old woman’s marathon swimming achievement, this underdog tale is a natural leap into narrative filmmaking for documentarians Jimmy Chin and Elizabeth Chai Vasarhelyi, proving that destiny is little more than a matter of persistence and patience for those pushing their bodies to exhausting physical limits.
-
Ferrari (2023)
For all Ferrari’s narrative unevenness, the god of car racing and conquest at the centre of Michael Mann’s modern mythologising makes for a compellingly thorny subject, leaving behind a trail of bodies in his blood-stained ascent to cultural immortality, while hiding his pride, shame, and sorrow behind tinted sunglasses.
-
Dream Scenario (2023)
The nature of celebrity is a fickle thing for the insecure, unremarkable Paul Matthews in Dream Scenario, as unpredictable as those strangers’ dreams across the world that star him as the main character, forming a darkly comic allegory for fame’s nightmarishly dangerous sting.
-
Poor Things (2023)
Born into the body of her deceased mother and setting off on a coming-of-age odyssey across the ocean, Bella Baxter’s existence is a wondrous paradox of surreal impossibilities in Poor Things, forming the centrepiece of Yorgos Lanthimos’ eccentric black comedy that draws an immense appreciation of life from its wickedly offbeat satire.