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Yasujirō Ozu: Family in the Frame

Earning the mantle of one of cinema’s great formalists, Yasujiro Ozu develops a distinctive visual language rooted in meditative pacing and meticulously composed interiors, evoking a Zen-like tranquility through which the subtle, unspoken tensions of domestic life quietly unfold.

The End of Summer (1961)

Marriage within the Kohayagawa family takes on multiple meanings throughout The End of Summer, ensuring stability within the younger generations and bringing scandal among the older, as Yasujirō Ozu weaves its humour and drama into poetic lamentations of life’s bittersweet sorrows.

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