moviereview

Ossessione (1943)

Luchino Visconti masterfully merges neorealism with the dark, fatalistic tension of film noir in Ossessione, unravelling a deadly affair between a pair of down-on-their-luck strangers, and revealing the inescapable consequences of passion, resentment, and poverty.

Juror #2 (2024)

When a man serving on a jury recognises his own unexpected culpability in Juror #2, moral turmoil begins to stir his conscience, offering a rich subject for Clint Eastwood’s study of stifled, agonising guilt.

A Serious Man (2009)

The perpetual misfortunes that plague one Jewish professor in A Serious Man often seem like the setup for a joke with no punchline, damning him to an ungratifying search for life’s answers through both science and faith, and thereby delivering one of the Coen Brothers’ most enigmatic, ironic works.

Queer (2024)

Through the colourful, layered motifs that Luca Guadagnino weaves through the life of American expat William Lee, Queer delivers an unflinching fever dream that denies easy answers to his internal contradictions, constantly unravelling his capacity for love by his fear of being seen.

Sing Sing (2024)

Through Sing Sing prison’s rehabilitative theatre program, Divine G and his fellow inmates find realer versions of themselves beyond guilt and anger, as Greg Kwedar’s casting of the real men that this story is based on uncovers a raw, vulnerable authenticity.

All We Imagine as Light (2024)

There is a soothing liberation in the setting of Mumbai’s sun, allowing love to flourish without judgement, yet the creeping loneliness and social pressures which split two female flatmates in All We Imagine as Light also imbues Payal Kapadia’s drama with a tender, dreamy melancholy.

A Complete Unknown (2024)

The unity of art and politics was not exactly a new concept in the 1960s, but Bob Dylan’s refreshing brand of celebrity that is both radically outspoken and mysteriously private inspires awe in A Complete Unknown, soulfully capturing the countercultural icon’s elusive, inscrutable essence.

She Wore a Yellow Ribbon (1949)

John Ford’s sentimental mythologising cannot be criticised for a lack of rousing sincerity in She Wore a Yellow Ribbon, commemorating the dutiful perseverance of one Old West cavalry troop seeking peaceful resolution to a historic conflict, and basking in the vibrant majesty of the rugged American wilderness.

Letter Never Sent (1960)

The struggle to survive in the Siberian wilderness of Letter Never Sent is as psychological as it is physical, swallowing four diamond-hunting adventurers up in its primordial chaos, and forcing us through Mikhail Kalatozov’s daunting camerawork to bow down before its ravaging elemental forces.

Rebel Ridge (2024)

Patience, discernment, and cunning are virtues embodied in veteran Terry’s violent pursuit of justice in Rebel Ridge, and as he fights to save his imprisoned cousin and expose a corrupt police force, so too are they superbly carried through in Jeremy Saulnier’s tense, brooding storytelling.

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