Best Picture

Nickel Boys (2024)

RaMell Ross’ avant-garde instincts come fully formed in the first-person camerawork and impressionistic montages of Nickel Boys, explicitly adopting the perspectives of two friends living in a 1960s reform school, and internalising a shared resilience that leads communities into the fight for civil rights.

I’m Still Here (2024)

When Brazil’s plague of forced disappearances reaches a beloved father in I’m Still Here, it is up to his resilient wife to keep the shattered pieces of her family’s lives together, transforming her sorrow and trauma into a testament of selfless, compassionate resistance.

Scroll to Top