Federico Fellini’s love of theatre would take on great symbolic meaning in his later films, but it emerges quite directly here as the setting of his directorial debut Variety Lights, fuelling the drama between the flighty members of a travelling troupe dreaming of fame, money, and love.
By subverting the archaic legends that pass down prejudices from one generation to the next, Nimona recognises the freedom that lies in open-minded acceptance, uniting a fugitive knight and a chaotic shapeshifter against a conspiracy that threatens to destabilise their futuristic, medieval kingdom.
Lee Cronin brings a refreshing creativity to Sam Raimi’s demonic horror in Evil Dead Rise, as he allegorically twists the image of a loving family into that of dysfunctional household, and lays into the terror of seeing one’s mother transform into a hideous, abusive creature.
It is a cruel twist of irony that sees writer Monk Ellison’s parody of exploitative Black novels exalted as a serious piece of literature in American Fiction, and one which Cord Jefferson wields impressive self-awareness over, sharply satirising the liberal elite’s attempts to assuage their white guilt by gleefully consuming African American trauma in media.
As Grant Singer methodically unravels the brutal murder of a real estate agent into a conspiracy that sprawls across the Maine property market, suspects and detectives alike chillingly shed their skins to reveal their true natures, giving metaphoric significance to the cold-blooded title Reptile.
The struggle up the corporate ladder has a long list of casualties in Fair Play, so when a promotion comes between secret lovers Luke and Emily, personal relationships and fragile egos are the first to be sacrificed to the vicious battles of sexes in the white-collar workplace.
The young vacationers of Afire are happy assuming for the time being that they will be safe from the distant forest wildfires, and yet it is only a matter of time before this inferno wreaks havoc on their delicate lives, developing a haunting metaphor of blazing summer romance that Christian Petzold wields with ethereal elegance.
Much like the first instalment in this series, Extraction 2’s action is as ambitious as its narrative is thin, though Sam Hargrave’s marvellous set pieces thrilling advance mercenary Tyler Rake’s rescue with thrilling momentum and a touching confrontation of fatherly responsibility.
Whether or not recent widow Sandra was the one to push her husband to his death in Anatomy of a Fall, Justine Triet’s chilling autopsy of their lifeless marriage uncovers an enormous, guilty weight in her soul, positioning us through flashbacks and cutaways as the jury of her moral conscience.
So intoxicating is the allure of fame in Priscilla that by the time Elvis Presley’s naïve future wife is trapped behind the gates of Graceland, she can barely distinguish between its privileges, constraints, and everyday banalities, as Sofia Coppola blends each into musical montages and dreamy vignettes that beg the question – why did he pick her from among his fans?
