Richard Linklater sensitively bares the lonely, eccentric soul of Broadway lyricist Lorenz Hart in Blue Moon, locating him on the opening night of his old creative partner’s newest hit, and tracing the heartbreak, jealousy, and self-sabotage that send him spiralling towards oblivion.
The greatest films of the 1950s, from the classic Hollywood musicals to Japan’s Golden Age of cinema.
Everything that the devoted family man of Train Dreams holds dear is a transient heartbeat in the grand scheme of history, and Clint Bentley’s impressionistic lens joins him in tenderly contemplating its slow surrender to time, marrying curatorial precision with a luminous, transcendent spirit.
Memory is the only projector that Hollywood celebrity Jay Kelly willingly surrenders to in his twilight years, and as he watches those frames of his regretful past unspool, Noah Baumbach composes a bittersweet reflection on the fragility of selfhood beneath the glare of stardom.
The greatest films of the 1940s, from Italian neorealism to the birth of film noirs.
Six-year-old Apu may revel in the bright innocence of his rural childhood, yet the sacred cycles of Satyajit Ray’s natural world persist, holding memories of joy and sorrow within Pather Panchali’s timeless, primordial pulse.
There is no reading of Shakespeare’s plays more intimate than that which considers his grief over his son’s passing, and as Chloé Zhao lyrically visualises this transmutation of pain into poetry in Hamnet, the very act of storytelling bridges the chasm between life and death.
The greatest films of the 1930s, from France’s poetic realism to the rise of Technicolor and talkies.
As James Cameron continues to forge his epic saga of spirituality and survival through the elements, Avatar: Fire and Ash tests the threads of tradition which binds its clans together, drawing dangerous new alliances that ignite a crucible of faith, fury, and primordial spectacle.
So intricately woven are the layers of deception in The Handmaiden, the cons that masquerade as plot become part of its very structure, staging a seductive dance between cunning swindlers and discerning victims that Park Chan-wook choreographs with masterful precision.
