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Mother (1926)
The radicalisation of a long-suffering family matriarch in Mother channels her fierce devotion towards the people of Russia, casting her as a revolutionary icon whose anguish and resilience is felt deeply in Vsevolod Pudovkin’s eloquent, invigorating montages.
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A Fistful of Dollars (1964)
Sergio Leone’s orchestration of every cinematic element at his disposal in A Fistful of Dollars makes for an operatic shake-up of the Western genre, landing a mysterious gunslinger in a town divided by two rival families, and drenching America’s revered mythology in blood, sweat, and violent anarchy.
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Battleship Potemkin (1925)
Fervent expressions of agony, apprehension, and patriotic joy are made visceral in Battleship Potemkin’s recount of a historic naval mutiny, resulting from Sergei Eisenstein’s passionate experimentations in cinematic montage, and reaching a peak of visual, kinetic innovation that has never been surpassed.
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Eyes Wide Shut (1999)
By plunging one unfaithful husband into the depths of an erotic cult and traversing a hazy underworld of dreams in Eyes Wide Shut, Stanley Kubrick eerily reveals those depraved, shadowy figures that live inside us all, and the invisible power they hold over our minds, societies, and humanity.
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Strike (1925)
Much like factory workers uniting in organised rebellion against their exploitative managers, Sergei Eisenstein lets revolutionary formal purpose drive every editing choice in Strike, building symphonic set pieces out of montages that possess a brisk, mathematical precision.
