| 1. 2001: A Space Odyssey | Stanley Kubrick | 1968 |
| 2. 8 1/2 | Federico Fellini | 1963 |
| 3. Persona | Ingmar Bergman | 1966 |
| 4. Lawrence of Arabia | David Lean | 1962 |
| 5. La Dolce Vita | Federico Fellini | 1960 |
| 6. Last Year at Marienbad | Alain Resnais | 1961 |
| 7. High and Low | Akira Kurosawa | 1963 |
| 8. I Am Cuba | Mikhail Kalatozov | 1964 |
| 9. Breathless | Jean-Luc Godard | 1960 |
| 10. Once Upon a Time in the West | Sergio Leone | 1968 |
| 11. Jules and Jim | François Truffaut | 1962 |
| 12. The End of Summer | Yasujirō Ozu | 1961 |
| 13. The Good, The Bad, and the Ugly | Sergio Leone | 1966 |
| 14. Andrei Rublev | Andrei Tarkovsky | 1966 |
| 15. Playtime | Jacques Tati | 1967 |
| 16. Pierrot Le Fou | Jean-Luc Godard | 1965 |
| 17. Psycho | Alfred Hitchcock | 1960 |
| 18. Red Desert | Michelangelo Antonioni | 1964 |
| 19. The Leopard | Luchino Visconti | 1963 |
| 20. L’Avventura | Michelangelo Antonioni | 1960 |
| 21. The Trial | Orson Welles | 1962 |
| 22. The Human Condition III: A Soldier’s Prayer | Masaki Kobayashi | 1961 |
| 23. The Bad Sleep Well | Akira Kurosawa | 1960 |
| 24. Juliet of the Spirits | Federico Fellini | 1965 |
| 25. Rocco and His Brothers | Luchino Visconti | 1960 |
| 26. The Wild Bunch | Sam Peckinpah | 1969 |
| 27. Gertrud | Carl Theodor Dreyer | 1964 |
| 28. The Umbrellas of Cherbourg | Jacques Demy | 1964 |
| 29. Contempt | Jean-Luc Godard | 1963 |
| 30. L’Eclisse | Michelangelo Antonioni | 1962 |
| 31. Shoot the Piano Player | François Truffaut | 1960 |
| 32. Chimes at Midnight | Orson Welles | 1965 |
| 33. Winter Light | Ingmar Bergman | 1963 |
| 34. Repulsion | Roman Polanski | 1965 |
| 35. Harakiri | Masaki Kobayashi | 1962 |
| 36. The Virgin Spring | Ingmar Bergman | 1960 |
| 37. Rosemary’s Baby | Roman Polanski | 1968 |
| 38. Point Blank | John Boorman | 1967 |
| 39. The Silence | Ingmar Bergman | 1963 |
| 40. Army of Shadows | Jean-Pierre Melville | 1969 |
| 41. The Graduate | Mike Nichols | 1967 |
| 42. Viridiana | Luis Buñuel | 1961 |
| 43. Le Samouraï | Jean-Pierre Melville | 1967 |
| 44. The Man Who Shot Liberty Valance | John Ford | 1962 |
| 45. Yojimbo | Akira Kurosawa | 1961 |
| 46. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Stanley Kubrick | 1964 |
| 47. La Notte | Michelangelo Antonioni | 1961 |
| 48. Charulata | Satyajit Ray | 1964 |
| 49. Knife in the Water | Roman Polanski | 1962 |
| 50. Midnight Cowboy | John Schlesinger | 1969 |
| 51. Butch Cassidy and the Sundance Kid | George Roy Hill | 1969 |
| 52. Bonnie and Clyde | Arthur Penn | 1967 |
| 53. Weekend | Jean-Luc Godard | 1967 |
| 54. Letter Never Sent | Mikhail Kalatozov | 1960 |
| 55. Fellini Satyricon | Federico Fellini | 1969 |
| 56. Doctor Zhivago | David Lean | 1965 |
| 57. The Servant | Joseph Losey | 1963 |
| 58. Peeping Tom | Michael Powell | 1960 |
| 59. West Side Story | Robert Wise | 1961 |
| 60. The Innocents | Jack Clayton | 1961 |
| 61. Blow-Up | Michelangelo Antonioni | 1966 |
| 62. The Apartment | Billy Wilder | 1960 |
| 63. Cléo from 5 to 7 | Agnès Varda | 1962 |
| 64. Teorema | Pier Paolo Pasolini | 1968 |
| 65. Alphaville | Jean-Luc Godard | 1965 |
| 66. Easy Rider | Dennis Hopper | 1969 |
| 67. A Woman is a Woman | Jean-Luc Godard | 1961 |
| 68. An Autumn Afternoon | Yasujirō Ozu | 1962 |
| 69. Hour of the Wolf | Ingmar Bergman | 1968 |
| 70. A Fistful of Dollars | Sergio Leone | 1964 |
| 71. Tokyo Drifter | Seijun Suzuki | 1966 |
| 72. The Manchurian Candidate | John Frankenheimer | 1962 |
| 73. For a Few Dollars More | Sergio Leone | 1965 |
| 74. The Exterminating Angel | Luis Buñuel | 1962 |
| 75. The Haunting | Robert Wise | 1963 |
| 76. Who’s Afraid of Virginia Woolf? | Mike Nichols | 1966 |
| 77. Shame | Ingmar Bergman | 1968 |
| 78. The Birds | Alfred Hitchcock | 1963 |
| 79. Ivan’s Childhood | Andrei Tarkovsky | 1962 |
| 80. Vivre sa Vie | Jean-Luc Godard | 1962 |
| 81. Devi | Satyajit Ray | 1960 |
| 82. Branded to Kill | Seijun Suzuki | 1967 |
| 83. The Young Girls of Rochefort | Jacques Demy | 1967 |
| 84. My Fair Lady | George Cukor | 1964 |
| 85. The Children’s Hour | William Wyler | 1961 |
| 86. Belle de Jour | Luis Buñuel | 1967 |
| 87. Shadows of Forgotten Ancestors | Sergei Parajanov | 1964 |
| 88. The Battle of Algiers | Gillo Pontecorvo | 1966 |
| 89. Cool Hand Luke | Stuart Rosenberg | 1967 |
| 90. Kes | Ken Loach | 1969 |
| 91. Lola | Jacques Demy | 1961 |
| 92. Tom Jones | Tony Richardson | 1963 |
| 93. My Night at Maud’s | Éric Rohmer | 1969 |
| 94. Purple Noon | René Clément | 1960 |
| 95. Bande à Part | Jean-Luc Godard | 1964 |
| 96. In Cold Blood | Richard Brooks | 1967 |
| 97. The Damned | Luchino Visconti | 1969 |
| 98. Mamma Roma | Pier Paolo Pasolini | 1962 |
| 99. Marnie | Alfred Hitchcock | 1964 |
| 100. Black Sunday | Mario Bava | 1960 |
This is a very compelling list, for sure, although I have to admit I’m a little surprised to find so few Japanese movies in it when the 60s were such a fruitful decade for Japanese cinema. Keep up the good work!
Thanks David! There are a couple of 60s Kurosawa, Ozu, and Kobayashi films I haven’t caught yet. Are there any in particular you recommend?
From those three? Well, Ozu only made three films during the 60s and all of them are very good, but I don’t think they’re among his best. Kurosawa’s Red Beard and The bad sleep well are both at or above the MS level for me. As for Kobayashi, virtually everything he directed during the 60s was pure gold.
But apart from these three, the 60s were the time when the Japanese New Wave took off, so there are a bunch of great films from a new generation of very talented directors. Shohei Imamura is probably the most important of them all (he made five excellent films during this decade and most of them could claim a spot in the top 100), but you also have Hiroshi Teshigahara (Woman in the dunes is a massive MP and in my top 10 of the entire decade, but The face of another is not far behind), Masahiro Shinoda (Pale flower is one of the greatest noirs of all time in my opinion), Seijun Suzuki (a massive influence on Tarantino and an extremely prolific filmmaker during this era), Nagisa Oshima (his most famous work came during the 70s, but I actually prefer the stuff he did during this period) and Kaneto Shindo (his best film is probably Onibaba). Toshio Matsumoto made the very bold and controversial Funeral parade of roses during the 60s as well. And then you have Yoshishige Yoshida, who was absolutely bonkers but made some of the boldest, most cutting-edge works of the entire decade. Kinuyo Tanaka (who, apart from a great actress, was also a very gifted director) also made three great films during the 60s (although I think her best films came in the previous decade).
There are a few more that are worth discussing, but I have to stop somewhere hahaha. Anyway, I think you would really enjoy most of them, so if you have the time I would strongly recommend giving some of these a shot.
Thanks for all those suggestions, Imamura is one that I’ve especially heard great things about and look forward to getting into. There were a few Suzuki films added to the Criterion Channel recently as well so I look forward to watching some of his quite soon.