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The Best Films of the 2020s Decade (so far)
The greatest films of the 2020s so far, from the growth of auteur television to boundary-pushing metamodernism.
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Tár (2022)
Todd Field remains at a chilly distance from the casually cruel subject of his interrogation in Tár, unleashing the full, daunting force of a gifted yet abusive musician with Kubrickian precision, and tracing her psychological disintegration to the depths of a painstakingly formal study in unchecked power, exploitation, and highbrow art.
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Babylon (2022)
Just as Babylon writhes with excitement at cinema’s potential during the early years of its formation, so too does Damien Chazelle eagerly tease apart the connection between artistic genius and debauchery in its first pioneers, swinging as hard with his decadent maximalism as the modern empire of insurmountable, ruinous ambition at the centre of it…
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The Wonder (2022)
It is an unexpectedly self-aware period drama that Sebastián Lelio composes in The Wonder, deconstructing its own form to examine the purpose it holds as a piece of metafiction, but it is through such profound introspection over one girl’s miraculous fast in 19th century Ireland that he paradoxically draws us even deeper into its richly…
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Copenhagen Cowboy (2022)
Nicolas Winding Refn’s enigmatic odyssey through a criminal underworld of sex traffickers, drug lords, and vampires demands a patient willingness to fall under its neon-soaked trance, as Copenhagen Cowboy invites us to traverse the psychological terrain of its stoic, otherworldly protagonist through a mesmerisingly surreal quest for vengeance.
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See How They Run (2022)
There are whodunits which may be more sophisticated in their construction, but See How They Run still makes for a visually adventurous and hilariously fun meta-study of the genre, borrowing a great deal from Wes Anderson’s stylistic repertoire to break down and assemble its conventions into a sharply witty mystery set in 1950s London.
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Triangle of Sadness (2022)
Each time we are convinced that the luxury cruise vacation in Triangle of Sadness has hit rock bottom, Ruben Östlund torments his eccentric ensemble of millionaires, influencers, and service workers with yet another horrific development, satirising the extravagant worlds of the ultra-wealthy with a darkly subversive wit and explosively foul set pieces.