2010s

Pleasure and pain are woven into a single paradox within Shame’s study of a self-loathing sex addict, suffocating him in an oppressive frigidity that presses in through Steve McQueen’s cold, blue palettes, and hypnotising him in a reverie of montages moving through the same wretched, compulsive cycles.

Black Panther may not entirely break the mould of its genre, but Ryan Coogler’s rich world-building and thoughtful characterisations offer new depths to familiar superhero archetypes, grounding its conflict surrounding the distribution of Black resources within a vibrantly drawn, Afro-futurist kingdom of ancient rituals and modern politics.

The Ghost Writer’s pessimistic, circular plotting makes a smooth leap from page to screen in this taut political thriller, as Roman Polanski infuses it with a wholly cinematic atmosphere of phantasmal dread that builds his nameless protagonist on a foundation of obscured identities, as well as a chilling mystery leading him into the mouth of…

Though Luca Guadagnino’s remake of Suspiria does not fully bridge the connection between its chilling occultist horror and meandering political tangents, he still manages to leave a mark on the fable’s cinematic legacy with surreal, bone-crunching editing and a deep red colour palette, plunging us into the uneasy paranoia and bloodshed of 1970s Germany.

Steve McQueen’s dip into the crime genre with Widows shrewdly carries on his style of uncompromising filmmaking, using dazzling camerawork and slick pacing to navigate a sprawling, rolling narrative which sees the consequences of one failed robbery ricochet through Chicago’s gangs, politics, and the grieving wives who soon decide to collaborate on their own grand…