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The Best Films of the 2000s Decade
The greatest films of the 2000s, from the Korean New Wave to the resurgence of the fantasy genre.
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Elephant (2003)
Gus Van Sant does not strive to make sense of the senseless school shooting in Elephant, but rather attaches his tracking camera to the various perspectives of victims and perpetrators as it unfolds, delivering a chilling vision of violence that arrives without warning, logic, or resolution.
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Mystic River (2003)
As Mystic River asserts cycles of shattered innocence through the abductions, abuses, and murders of one Boston neighbourhood, Clint Eastwood draws three childhood friends together over old traumas, and ensnares them in the simmering tension of fresh suspicions.
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Star Wars: Episode III – Revenge of the Sith (2005)
For all the flaws that plague the Star Wars prequels, very few can detract from the operatic descent into darkness that Revenge of the Sith ushers in, seeing George Lucas embrace the melodrama, myth, and political allegory of his epic saga to craft its most tragic chapter.
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Star Wars: Episode II – Attack of the Clones (2002)
As a grown-up Anakin Skywalker begins to break beneath the weight of duty and desire in Attack of the Clones, George Lucas thoughtfully recaptures the mythic tension of the original Star War trilogy, exposing the corrosive, insidious decay that eats away at the heart of democracy’s heroes, institutions, and ideals.
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21 Grams (2003)
Through the convergence of three separate lives upon a single tragedy in 21 Grams, Alejandro Iñárritu gifts us a miraculous glimpse into the infinite, fragmented tapestry of human relationships, and the terrible burden this interconnectedness weighs on our souls.
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Songs from the Second Floor (2000)
No single image in Songs from the Second Floor reveals the full scope of eternal traffic jams, nonsense bureaucracy, and apocalyptic senselessness that this city has descended into, but as Roy Andersson’s painterly tableaux come together with deadpan melancholy, so too does his landscape of surreal, urban decay take absurdist form.

